What trade projects look like
Designer-friendly series
Colorway series — the same vision in considered variations, each with its own title and edition — let you carry one idea across rooms without repeating a single image.
Multi-room curation
Bradley curates groupings across rooms: a large statement piece for the primary wall, quieter companions for intimate spaces, sightlines considered as one composition.
Flexible sizing
House sizes run 30 × 40 in. and 20 × 30 in., with true-ratio exceptions for pieces that hold their native format — never cropped. Larger commissions are handled one-to-one.
Commercial licensing
Hotels, offices, and public spaces: Bradley licenses his Intelligent Mirror Process work for commercial display, separate from the fine-art editions. Terms are quoted per project.
Immersive fine art experiences
This is what Bradley is creating: immersive fine art experiences — human-made art at architectural scale, in the spaces where life happens.
Picture it: a 128-inch portrait display — a phone the size of a wall — in an airport terminal, a doctor's office, a hotel lobby. Twenty, thirty of Bradley's IMP video artworks cycling in a slow, silent loop. You don't look at it; you're inside it.
That's where this is going. The commercial display program starts with Bradley's own work and opens to other artists — a rotating gallery of provably human art in the places people actually gather. See the concept in the Art Preview commercial section.
One presentation
Every trade piece is a frameless metal print — crisp detail, vivid saturation, a clean contemporary presence, particularly strong for Bradley's intense color. Metal is the work's native surface; there are no alternate materials, no lower tier. What your client sees in the presentation is exactly what arrives.
Start the conversation
Send the room dimensions, the mood you're after, and any pieces that caught your eye. Bradley answers personally.
bradley@bradleymarston.com · Mesquite, Nevada